Apologies for the overwhelming amount of posts today- feeling a bit productive, I suppose. Here's the 1985 debut 12'' by Los Angeles' Abecedarians, one of the only American releases on Factory. Of course, the band would sign to Caroline to release the bulk of their material, most of which they were unhappy with. You can nab the band's posthumous early recordings collection here on these back pages, where you can read a bit more about the band as well. Without any further ado, here's the info for this 12'':
A large group of cohorts and I just caught the NYC premier of Anton Corbijn's Control this weekend, a biopic about the life and times of Ian Curtis. Though today's post doesn't feature Joy Division OR New Order, it features one of their contemporaries, fellow Manchester based Factory records outfit Crispy Ambulance, whose singer would fill in for Ian Curtis during one ill-fated night, culminating in an audience riot.
The band, formed in 1977 by Alan Hempsall and Robert Davenport, was unfairly dismissed as Joy Division knockoffs during their short recording tenure. Despite these accusations however, Crispy Ambulance had their own innovative style to add to the budding post-punk movement, and often incorporated a more minimal and dreamy sound to their compositions.
The band would flesh out their lineup and record a handful of singles in 1980 and play shows alongside the likes of prominent bands such as Killing Joke. Upon Factory's request, the band would sign to record the full length record The Plateau Phase and a few assorted singles. Unfairly written off (along with fellow label mates Section 25, previously featured on these pages), the band would split in 1982, releasing a collection of unreleased tracks soon after.
Despite their demise, the band would reunite in 1999 to record two more records into the new millenium, and are together to this day, playing sporadic gigs in their native Manchester.
I've uploaded a handful of tracks...The first, a personal favorite from the 1982 record The Plateau Phase and the second, a lone 1984 single compiled on a resissued version of said album.
Section 25 formed in Lancashire in early 1978, a pair of brothers recruiting members for a more avant sort of dance group. As they rose to some degree of prominence with England's Factory Records (Joy Divison, A Certain Ratio, Happy Mondays, etc.), the band was immediately written off as a Public Image Ltd. soundalike and as derivative of their fellow Factory mates. Over time however, the band's own subtle style became more apparent.
A more ambient sort of dance band, Section 25 combined pulsing relentless rhythms, jagged guitar work, and alternated between ethereal female voices (heard on their later releases) and an abrupt male voice for vocal duties. Their connection to New Order and Joy Division remained steadfast over their tenure, for their first single was produced by Joy Division vocalist Ian Curtis and manager Rob Gretton, their first record by Factory favorite Martin Hannett, and their third LP, From a Hip by Bernard Sumner of New Order. As the band continued to play gigs and record, they shifted from a rhythmic dub sound and evolved into a more electro-dance outfit.
After ten years, the band split and fell silent until June of 2007, when a reunited band (minus vocalist/keyboardist Jenny Flowers, who died before recording more than a handful of tracks in 2004) released their fifth full length Part-Primitiv, a series of new songs written and recorded over the course of six years.
For the downloading, here's a selected duo of tracks. The first is an alternate recording of 'Looking From a Hilltop,' originally featured on From a Hip. The second track is taken from 2007's Part-Primitiv.